The distortion of a reality places me in a path external to my perspective. The organization of the undistinguishable, of the undefined, makes up for the greater part of human experience and it is the occasion that provides the time and place where something might happen, the possibility for historical existence and the possibility for changing the mind. The negative potential for dissolution that the mind experiments by mingling with what surrounds it allows it to have access to shapes not usually visible, set in a rhythmical structure snatched from or threatened by the emptiness. The pictures seem to hold a kind of structure and simultaneously dissolution of that same structure; a fine line between plain structure and nothingness.